[in haste...]
-description of Beacon
-complexity of it
-draw in as much as I can draw in
-then ask the art history question of institutional critique: is it aware of its implication in the industry of search or just implicated?
-then ask: is this the only question art history can ask?
-what other questions are there?
-what other question does Beacon invite?
-how to disaggregate the problem, the parts of the problem that are fused and unquestioned (e.g. capitalism, industry, all such monoliths of capital)
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